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The hard fact is that they just don’t care.

Or more precisely, they don’t care yet. They’re interested, but they do not know enough to care. We have not given them enough of a reason to care. They are not ready to take that step.

A good read on “why you should bury your sign up button”. I’ve considered similar things as of recent. When someone tells me to “make it pop so it stands out and people will click it” I think, the user isn’t stupid (well, mostly) and making things “pop” more is just not going to make them click it. They know it’s there. They will click it if you make them want the product, not because the call-to-action button is fire-engine-read (as the article puts it).

You don’t need to “bury” the sign up button exactly, but you certainly don’t need to pull out every visual cue under the sun to try get people clicking.

“A map of emotions.”

“A realistic portrait.”

Check it out.

assorted-goodness:

Give Me A Hand - by Derek Eads
Prints available at Society6 for $15 USD

assorted-goodness:

Give Me A Hand - by Derek Eads

Prints available at Society6 for $15 USD

(via geek-art)

Rules, guidelines, whatever.

Guidelines: you should probably follow them.

Rules: you can break them if you know them.

Don’t listen to me though!

What.

okay-awesome:

ESPIONAGE GALLERY | Suite 1, Level 2, 93 Rundle Mall, Adelaide 5000 

The Espionage Gallery is a little space located on Rundle Mall, just off Lindes Lane, and at just only 90-square-metres, the gallery exhibits the art of Adelaide-based artists for a one-month period, with the most prominent features being that of the gallery directors, Joshua Smith and Gary Seaman.

The gallery is currently displaying the works of Joshua Smith, in the exhibition, 300.

“The exhibition features almost 20 large scale works all priced at the set price of only $300 each. This is an incredibly rare opportunity to get your hands on some of Josh’s work at very cheap price. Most of the works on display are usually valued at $800+”

I have always admired Smith’s street art work, and above are just some of the pieces I have found around the Adelaide CBD. It would be a dream to own one of his pieces, but alas, I cannot…

As well as exhibitions, the gallery also often holds workshops. Their most current workshop is a one-off, 5-hour Basic Stencil Workshop, where individuals “learn the fundamentals of stencil art and learn how to cut 1 and 2 layer stencils. All materials privided including canvas, stencil cutting plastic, cutting knife and paint.” Though the website declares that  registrations for the workshop are now closed, Renew Adelaide project, Studio Lingo, has suggested that the Adelaide Festival Centre club, Green Room, is still 

looking for 5 young artists aged between 16 – 30 to partake in these workshops.

And as well as all of this wonderful stuff, the gallery also holds Friday Night Art Markets, where, on the second Friday of every month, they showcase and sell the work of local artists, designers, ceramicists, glass blowers and jewellery designers.

Past gallery exhibitors include Joel VDK, Chris Edser, Kate Gagliardi and Eliza Mazzone.

Website | Facebook

How can I resist?
I have this ever-growing bookmarks folder titled “Want”. Yeah. I have this problem with materialism.

How can I resist?

I have this ever-growing bookmarks folder titled “Want”. Yeah. I have this problem with materialism.

For the ladies (not sure if there are any female readers here but anyway…): remember Creepy Cute? Yeah, no? Anyway, all you have to do is like the Creepy Cute Facebook page for your chance to win this kooky tee! Go go go.

For the ladies (not sure if there are any female readers here but anyway…): remember Creepy Cute? Yeah, no? Anyway, all you have to do is like the Creepy Cute Facebook page for your chance to win this kooky tee! Go go go.

Calls-to-action

The hard fact is that they just don’t care.

Or more precisely, they don’t care yet. They’re interested, but they do not know enough to care. We have not given them enough of a reason to care. They are not ready to take that step.

A good read on “why you should bury your sign up button”. I’ve considered similar things as of recent. When someone tells me to “make it pop so it stands out and people will click it” I think, the user isn’t stupid (well, mostly) and making things “pop” more is just not going to make them click it. They know it’s there. They will click it if you make them want the product, not because the call-to-action button is fire-engine-read (as the article puts it).

You don’t need to “bury” the sign up button exactly, but you certainly don’t need to pull out every visual cue under the sun to try get people clicking.

Take my money.

Take my money.

“A map of emotions.”

“A realistic portrait.”

Check it out.

assorted-goodness:

Give Me A Hand - by Derek Eads
Prints available at Society6 for $15 USD

assorted-goodness:

Give Me A Hand - by Derek Eads

Prints available at Society6 for $15 USD

(via geek-art)

Rules, guidelines, whatever.

Guidelines: you should probably follow them.

Rules: you can break them if you know them.

Don’t listen to me though!

What.

okay-awesome:

ESPIONAGE GALLERY | Suite 1, Level 2, 93 Rundle Mall, Adelaide 5000 

The Espionage Gallery is a little space located on Rundle Mall, just off Lindes Lane, and at just only 90-square-metres, the gallery exhibits the art of Adelaide-based artists for a one-month period, with the most prominent features being that of the gallery directors, Joshua Smith and Gary Seaman.

The gallery is currently displaying the works of Joshua Smith, in the exhibition, 300.

“The exhibition features almost 20 large scale works all priced at the set price of only $300 each. This is an incredibly rare opportunity to get your hands on some of Josh’s work at very cheap price. Most of the works on display are usually valued at $800+”

I have always admired Smith’s street art work, and above are just some of the pieces I have found around the Adelaide CBD. It would be a dream to own one of his pieces, but alas, I cannot…

As well as exhibitions, the gallery also often holds workshops. Their most current workshop is a one-off, 5-hour Basic Stencil Workshop, where individuals “learn the fundamentals of stencil art and learn how to cut 1 and 2 layer stencils. All materials privided including canvas, stencil cutting plastic, cutting knife and paint.” Though the website declares that  registrations for the workshop are now closed, Renew Adelaide project, Studio Lingo, has suggested that the Adelaide Festival Centre club, Green Room, is still 

looking for 5 young artists aged between 16 – 30 to partake in these workshops.

And as well as all of this wonderful stuff, the gallery also holds Friday Night Art Markets, where, on the second Friday of every month, they showcase and sell the work of local artists, designers, ceramicists, glass blowers and jewellery designers.

Past gallery exhibitors include Joel VDK, Chris Edser, Kate Gagliardi and Eliza Mazzone.

Website | Facebook

Kiki

Kiki

How can I resist?
I have this ever-growing bookmarks folder titled “Want”. Yeah. I have this problem with materialism.

How can I resist?

I have this ever-growing bookmarks folder titled “Want”. Yeah. I have this problem with materialism.

For the ladies (not sure if there are any female readers here but anyway…): remember Creepy Cute? Yeah, no? Anyway, all you have to do is like the Creepy Cute Facebook page for your chance to win this kooky tee! Go go go.

For the ladies (not sure if there are any female readers here but anyway…): remember Creepy Cute? Yeah, no? Anyway, all you have to do is like the Creepy Cute Facebook page for your chance to win this kooky tee! Go go go.

Calls-to-action
Rules, guidelines, whatever.

About:

Ramblings and miscellaneous rubbish from Eli Burford, 21-year-old web designer person from South Australia.